John 12:37-50
John 6:27-36
John 6:27-36

John 12:20-26
John 12:20-26
“I gave My life to ransom thee, Surrender your all today.”
Wherever He leads I’ll go, Wherever He leads I’ll go,
I’ll follow my Christ who loves me so, Wherever He leads I’ll go.
And in that will I now abide, Wherever He leads I’ll go.
Wherever He leads I’ll go, Wherever He leads I’ll go,
I’ll follow my Christ who loves me so, Wherever He leads I’ll go.
I take my cross and follow Him, Wherever He leadeth me.
Wherever He leads I’ll go, Wherever He leads I’ll go,
I’ll follow my Christ who loves me so, Wherever He leads I’ll go.
He is my Master, Lord, and King, Wherever He leads I’ll go.
Wherever He leads I’ll go, Wherever He leads I’ll go,
I’ll follow my Christ who loves me so, Wherever He leads I’ll go.
John 12:12-19
John 12:12-19
John 12:1-11
John 12:1-11
Frank Schaeffer’s Sex, Mom & God
After reading Frank Schaeffer’s Crazy for God a few years ago (which prompted me to write this open letter to him, to which he responded), I felt like I needed a shower. I felt this way less because of Frank’s relentless skewering of his very flawed parents than because I found the dark pit of Schaeffer’s own undiluted bitterness and rage to be somehow…well…tarnishing. Frank Schaeffer, despite his protestations to the contrary, is a very, very angry man. I told him that in an email after I read the last book. He responded by saying that he was getting tired of the accusation. No doubt he is, but Sex, Mom, & God is not going to help him break free of the charge (nor are his frankly bizarre, weird, fear-mongering news show rants that can be viewed easily on YouTube).
Now, does Schaeffer have a right to be angry? You bet he does. If his own hyperbolic excesses would stop throwing roadblocks up, I personally would feel even more sympathy for him than I already do. Frank did get a raw deal and he grew up in an unbelievably strange situation.
Frank is the only son of the late Francis and the still-living-but-very-elderly Edith Schaeffer. Francis Schaeffer was an Evangelical superstar in the 70’s and 80’s in particular and, to some extent, still is today. As I mention in the open letter linked above, his writings had and still have a profound impact on my own life, though for various reasons (Frank’s work included) I have cooled in my affection for Francis’ writings (and some of his later writings I’ve rejected almost in toto).
Frank indeed grew up in a strange world. Growing up the son of hardline Presbyterian missionaries in a missionary chalet and spiritual-seeker-haven in Switzerland would have to have been a very unique experience (though it must be added that many, many people count their visits and time at L’Abri as seminal moments in their own Christian journeys…and I do wish I had been old enough to visit as well). As Francis and Edith grew more popular, Frank was left alone for long periods of time as his parents went on their speaking tours. He witnessed a double-life in his parents as well that scarred him deeply. Francis had a terrible temper and would hit and throw objects at Edith. Edith, on her part, would defend Francis, oddly tell her young son about his father’s demand for sexual relations every night and would speak patronizingly of Francis’ shortcomings and weaknesses to her children.
Frank himself became part of the family business, the heir-apparent as it were, producing the well-known film series, How Should We Then Live? and Whatever Happened to the Human Race? The latter film and book helped establish the Schaeffer’s at the forefront of the pro-life movement and played a pivotal role in calling Evangelicals into the pro-life and, more generally, into the political fray. (I wrote a thesis paper in seminary on Francis Schaeffer’s role in the pro-life movement and the role of Whatever Happened to the Human Race? I was surprised and mildly amused to see my paper cited in a footnote in Colin Duriez’s biography of Francis Schaeffer some years back.) In this way, Frank (then called Franky) Schaeffer can indeed be credited with playing a part in the rise of the so-called Religious Right. His own star rose in the 80’s as he became a kind of angry prophet for conservative Protestants in North America. Frank wrote bestselling books (he is a prolific writer by any account), hit the speaking circuit and saw his own fame and financial situation grow impressively.
By Frank’s account, though, he was a living a lie. He knew that he was profiting from a platform in which he was quickly losing trust. He detested some of the creepier fringes of fundamentalist Protestantism and would soon break all ties to the movement he helped create. He would eventually convert to Greek Orthodoxy (and write his fascinating but shrill defense of this act, Dancing Alone) and, even later, to political liberalism and to the anger-and-disillusionment-driven pseudo-Christian agnosticism which he seems to espouse today.
Along the way, Frank has created a niche market of literary parent lambasting. He has vented his spleen against his parents, his upbringing and fundamentalism in general in the fictional Calvin Becker trilogy Portofino (an hysterical novel, by the way!), Zermatt, and Saving Grandma, and now in a non-fiction trilogy consisting of Crazy for God, Patience with God, and Sex, Mom, & God. I suspect I am not the only Evangelical who has been impacted by Francis Schaeffer’s life and writing who yet feels a strange mixture of fascination, disgust, sympathy, understanding, anger, and eye-rolling at these works.
There is a long venerable tradition of sons writing against their fathers, but Frank’s work seems to go beyond even this. He has what appears to be an almost unfettered pathological needto…tell…everybody…everything. I can only imagine that getting paid to…tell…everybody…everythingdoesn’t hurt his penchant for self-disclosure. And, of course, people like myself are to blame for buying and reading the stuff. That being said – dare I say it? – I really do think I’ve now heard enough.
In Sex, Mom, & God, Frank Schaeffer has given us a full-scale polemic against his past and an often laughable defense of his current positions. My goodness, I don’t know that I have ever read such a staggering collection of ad hominems, non sequitors, category errors, irrationality, truly bad hermeneutics, even worse exegesis, stupefyingly bad theology, guilt-by-association, character assasination and flat-bad thinking in my life.
Yes, yes, Frank does score many points here and there and they are not unimportant. Yes, large swathes of fundamentalist Christians have foisted a kind of weird, guilt-ridden approach to sex on their children marked by a constant harping on the dangers of sexual sin, the creation of the impression that sex itself isinherently sinful, a disproportionate fixation on sexual sin as opposed to more accepted sins, and the lack of a healthy, biblically-informed and balanced understanding of sex. And, yes, as Frank acknowledges, the lack of a healthy and honest approach to sexuality has scarred many young conservative Christians who were unable to be open about that through which they were going or that with which they are dealing. Only a person with his or her head in the sand would deny that there is a strange subterranean reality of sexual dysfunction in many Christians of certain ilks because of the heaping portions of shame they had shoveled upon them in this area of their lives growing up. It is no wonder that young boys who can’t speak openly of their struggles internalize that whole area of their lives and end up, in many cases, going into some weird corners of the modern, sexual, anarchic landscape.
I know few Christians who would deny the problem here, but this is not the problem as Frank sees it. Frank sees the Bible itself as the problem and the sexual ethic of scripture as the problem. Of course, when you see the sexual ethic of scripture as Frank defines it, it is indeed terrible. But he defines it thus only by some amazing hermeneutical gymnastics that frankly left me aghast.
I resoundly reject the notion that the Bible and the God of the Bible (as Schaeffer puts it) has a weird notion of sex. Indeed, the sexual problems of some fundamentalist Christians are not the result of the application of the biblical principles but rather of the perversion of them. The Bible’s sexual ethic of monogamy, marriage between a man and a woman and its strictures against fornication and adultery are healthy, God-given, and good common sense. When I survey the modern tragedy of sexual ethics today, it seems to me that only a hack with an agenda and a penchant for the open fields of sexual anarchy would hate the good, healthy and protecting biblical boundaries that keep us from degenerating into mere animals.
Is there some sexual weirdness in the fundamentalist sub-culture? To be sure. But the greatest things are always open to the greatest perversions, and the perversion of a good thing does not make the good thing less good, it only makes the perversion of it that much more wicked. If Frank Schaeffer wants to see sexual weirdness, sexual wounding and sexual confusion, let him spend another few years in the anything-goes fields of body-anarchy and sheer license that he now calls home (not that he himself practices these things, I hasten to add, but these are the hallmarks of the modernity he has now embraced and is now seeking to resuscitate).
Frank’s handling of the Bible in this book is breathtakingly and almost unbelievably bad. He seems to posses virtually no understanding of the relationships of the Old and New Testaments, of the reality of Jesus as the hermeneutical key to scripture, of the difference between descriptive passages and prescriptive passages (good grief he does not get this at all!) and of the idea of progressive revelation. He repeatedly, ad nauseum, refers to the Bible as a collection of “Bronze Age myths.” He depicts the God of the Bible as a misogynistic, perverse, woman-hating, sex-obsessed, murderous tyrant. In this regard, Schaeffer makes Richard Dawkins (a man whose writings he professes not to respect) sound like Mister Rogers.
I don’t know what it is, but Frank Schaeffer never a met a shrill denunciation he couldn’t amp up, a hyperbole he couldn’t stretch even further, or a non sequitor (a particular flaw of his that he traffics in on almost every page) he couldn’t embrace and trumpet. He is a master craftsman of barely comprehensible blasts of unhinged vitriole and palsied jeremiads.
Again, among the drivel there are moments that almost (but not quite) make the whole painful ordeal of reading him worthwhile. His autobiographical notes are, as you might imagine, very interesting. His account of his meetings with Rousas Rushdoony (a truly strange, fringe-dwelling idealogue) and the Dominionists (Reconstructionists) is fascinating (though his guilt-by-association conclusions for lots of us who wouldn’t want to be within 100 miles of those guys are not). His brief comments on Fr. Richard John Neuhaus and the founding of First Things, on Robert George and on Crossway Press were interesting as far as they went (though he scored no real points on any of these). His comments on Billy Graham and some of his own conversations with the Graham children painfully illustrate that there is indeed a particular burden placed on the shoulders of the children of Evangelical superstars.
But over all this grist for the mill for Evangelical-dirty-laundry-voyeurs is Frank’s own, strange, idiosyncratic current position on life and God and sex. In many ways, Frank simply sounds like a commercial for the more stridently-liberal wing of the Democratic party (albeit a commercial featuring some wild-eyed, crazy cousin of even that wing – again, YouTube “Frank Schaeffer” and you’ll get what I’m saying). All the standard soundbites are there: abortion on demand (though he thankfully wishes to see some limits on this – notably in late-term abortions), the propping up of the gay agenda, anti-Republicanism, the charge of racism against those who don’t like Obama, the alarmist rhetoric about a coming theocracy, etc. There is a kind of trite and tired wearisomness to these aspects of the book and of Frank’s schtick in general. In this regard, Frank Schaeffer kind of sounds like a radical-leftist-on-speed who is seeking to cram as many left-leaning platitudes into his remaining career as he possible can. It’s almost as if he wants to match the Scylla of his former fundamentalist extremism with the Carybdis of his new-found fundamentalist leftist extremism. As I say, all of this is yawn-inducing and worthy of skipping. Moreso, it illustrates a point that seems glaringly obvious when one considers the totality of Frank’s work: Frank is simply an extreme person who goes all in on his tangent of the moment (fundamentalism – abortion politics – Greek Orthodoxy – daddy bashing – liberal theology and politics) only to ricochet after it all plays out (for, after all, that kind of extremism is inherently very hard to maintain) onto his next soap box. One does wait with baited breath for Frank’s next cause and spate of angst-driven monographs.
His theology, however, is a little more nuanced if nontheless still mired in an epistemological and theological trainwreck. In short, Frank seems to still think there is a God. He still even calls himself a Christian. He seems to like Jesus, even though he doubts that a lot of what was attributed to Jesus was actually said by Jesus…especially, one notes, when the words of Jesus conflict with the programme of modern, leftist, “progressive” (an ironic monikor) politics. He still attends the Greek Orthodox Church.
That being said, he is more of a watered-down theist lapsing here and there into agnosticism and, on his really, really angry days, dipping his toe into atheism. The God Frank Schaeffer believes in is not the ugly God he claims to find in the Bible. No, the God Frank believes in is infused with the best virtues of modernity: He (or She or It, according to Frank) is a God who likes love and puts no boundaries anywhere accept, one assumes, on really bad things like when a pedophile claims to love children, or when a Republican claims to be against gay marriage, or when an Evangelical professes to believe in inerrancy, etc. But other than that, the God-of-Frank wants people to love each other in whatever combinations they feel inclined to muster without fear and without guilt. Sex is a REALLY big deal to Frank and he now knows that God has no hangups with sex. Frank’s God loves everybody and doesn’t dislike much except for religious people and all of their phoney, hooey books that claim to speak for God. Frank’s God is kind, gentle, nice, sweet, politically-liberal, socially progressive, thinks Obama is doing a great job, hates Republicans and wants people to feel an unquestioned mastery over their own bodies and what they choose to do with them. Franks God, in other words, thinks just like Frank.
How Frank knows these things about God presumably ought not be asked by skeptics. For Heaven’s sake (if there is a Heaven, right?), don’t point out to Frank that he is living parasitically off of the Christian worldview he professes to hate so much and that his idiosyncratic renderings of that worldview could only come about because he was immersed in it in the first place. Don’t point out to Frank that the very stuff with which he has crafted his new ideology was taken on the sly from the book and the church and the faith he is now scoffing at and redefining.
Furthermore, don’t ask Frank how it is that he could be so very uncertain of so many things…but simultaneously so very certain that God is the God who just happens to think as Frank now thinks. It is an almost tired truism nowadays that the tolerant are profoundly intolerant of those who don’t buy their version of tolerance and that the agnostics can sound eerily fundamentalistic about what they profess actually to know about the God they profess is unknowable. You might also want to avoid reminding Frank of Voltaire’s idea that God created man in his own image and man has returned the favor, and that the liberal elites of a society or as prone to this malady as religious fundamentalists. What is more, don’t ask Frank if it’s not just possible that his view of progress might actually be a staggering regress or if the age of abortion-on-demand, sexual anarchy without boundaries, political leftist ideology and fashionable agnosticism might not in time come to be judged as even more vapid and silly and degenerate than the “Bronze Age myths” he professes to detest.
There are other things you likely should not ask Frank. You probably shouldn’t ask him about the fact that he has now published six volumes in which he profits off of the weaknesses of his parents. At what point does one feel a bit, well, hypocritical about dragging out ole mom and dad for another good thrashing and another good book advance? Or you probably shouldn’t ask Frank – because he likely would not answer – why it is that throughout the book he quotes surveys and statistics showing the support of the American people for this or that position with which he agrees, but strangely never discusses the fact that gay marriage referendums are resoundly struck down by the majority of Americans in given locales whenever they come up. After all, is it honest and good thinking to cherry-pick the stats that bolster your own assumptions while ignoring those that don’t? And due to the personal nature of it, you likely shouldn’t ask Frank if he really thinks his appeal to his mother’s thumb’s up to him writing this book holds a lot of weight and really gives him a pass from the charge of tackiness and creepiness when he goes on to say that his mother is so elderly that she is frequently confused and forgets the names of her grandchildren?
In truth, it’s probably best not to ask Frank too much of anything. The shock-haired, crazy-eyed Jeremiah on the corner wearing the sandwich sign and spitting into the bull-horn isn’t really one for questions, is he? His whole point is to be heard and to rage against the blindness of the passers-by. The street-corner prophet doesn’t do nuance, doesn’t do careful hermeneutics, doesn’t represent his opponent with care and accuracy. No, he screams…loudly…and then he moves on.
Frank Schaeffer is a tragedy, not the least because of what the fundamentalist Christian ghetto did to a mind that is clearly sharp and perceptive, if painfully misled and marred. Most of all, his tragedy is found in his equation of the whole with the part, of his (once again) tossing of the baby out with the bathwater.
Frank, it’s possible to think Rushdoony was really dangerous but that the gospel is true and has been preserved in the churches for two-millennia. It’s possible to agree that some Christians have indeed botched the whole subject of sex while still affirming that fornication and adultery are sins and that the sexual strictures of scripture were put there to protect us and not to hurt us. It’s possible, Frank, to hate the idea of an imposed theocracy but to see the blatant stripping of the public square (to use the terminology of Neuhaus) as a tragic and unnecessary crime. Regardless of what you say, Frank, yes it is possible to see homosexuality as a sin and to call gay people to repentance but not hate gay people and not wish to see gay people hung on the gallows. Frank, intelligent people can see God’s Word as trustworthy and true, the church as flawed but beautiful and the gospel as essential and life-giving, and many do.
Pray for Frank Schaeffer.
Jay Asher’s Thirteen Reasons Why
This is not the kind of book I normally read, but the other day my daughter mentioned the book Thirteen Reasons Why by Jay Asher. She told me it was a very popular book among teens, that it dealt with the issue of teen suicide, and that it was soon to make its way to the big screen with Disney star Selena Gomez playing the role of Hannah. With this in mind, I listened to my Kindle read me the book over a 6-hour period while driving on a recent trip out of state.
Thirteen Reasons Why is a pretty engrossing read (or, in my case, listen). It begins with a young man receiving a box of seven audio tapes on which he finds the voice of his friend Hannah. This is jarring to him because Hannah had recently taken her own life. The tapes contain Hannah’s explanation of her own suicide and names thirteen individuals who played a part in her decision to take her own life. Whoever received the tapes was to listen to all of them (and, if they so chose, to travel to the various spots on the enclosed map to better understand where the various episodes she describes on the tapes happened). The tapes were then to be sent to the next person included in her story. In all, then, the tapes were to be listened to by all thirteen people involved in Hannah’s story. To quell the threat of somebody simply destroying the tapes, Hannah reveals at the beginning of her story that an unknown person held a second set of tapes and would release them in a public manner if the tapes did not make their full rotation.
My initial interest in hearing this story was based on (a) its seeming popularity among teens, (b) it’s coming greater popularity once the movie is released and (c) the subject matter of suicide, especially in a teen book. I was particularly interested to know whether or not the book in any way encouraged or romanticized suicide. Furthermore, I was curious to know how the book would handle the issues of life, death and ultimate meaning (questions inevitably intertwined with the issue of suicide).
It is easy to see why teens would find this book interesting. It’s written in a very engaging manner. The unusual format of the story is actually very effective in building anticipation, tension and curiosity in the reader. Asher uses this format to great effect and I found it to be a very intriguing method of writing.
The book contains some objectionable material. There is some profanity, which is to be expected in a secular novel dealing with teenagers. There is some sexual material, but I do want to add that these sections are not needlessly gratuitous and they do indeed stand at the core of the story. I say this because a large part of Hannah’s story involves the unwanted sexual advances, comments, and gossip of which she finds herself a victim.
I thought back to my own high school days while listening to this novel. Who can deny that gossip about “loose girls” floats through school hallways with frequency and with devastating effects. Hannah’s story powerfully reminds the reader of the devastating power of lies and gossip. It is a gripping tale of the kind of viciousness one encounters in high school. Girls in particular seem to be the special objects of these kinds of whisper campaigns, and the book did make me wince as I tried to remember if I had joined in whispering or laughing at some salacious story involving some girl in school.
One of the poignant points of the story is just how powerful our actions are. High school is a brutal place, again, maybe especially for girls. Hannah’s tale, as it unfolds, reveals through her vivid description of the various episodes leading up to her desperate and tragic action just how deeply words and actions cut. It reminds the reader that playing fast and loose with somebody’s reputation or moral character is a terrible thing to do and can have catastrophic consequences.
Without giving the story away, I was struck by Asher’s insertion into the story of an element of moral ambiguity and conflict on Hannah’s own part. I will go so far as to mention Hannah’s own inactivity in the face of a crime perpetrated upon another. In the story, Hannah is cognizant of and crushed by her own inactivity, and it contributes in its own way to her own crumbling life. Even so, it keeps the story from becoming overly-simplistic in its categories and it very effectively leaves the reader with a great sense of conflict over and tragic irony in Hannah herself.
In all, though, it must be said that Asher has created a profoundly effective tool for introspection and awareness. I daresay that nobody will read this book dispassionately. It does indeed accomplish the task of creating awareness as far as our interpersonal relationships go.
That being said, I listened to the story with a growing sense of unease. By the time it was over, I understood the source of my unease: namely, the almost complete absence of any element of transcendence. I do not mean by this that I was shocked by the absence of the gospel (disappointed, of course, but not shocked – the book is not and never claimed to be a religious work). But one does wonder at the absence of mere transcendence or any evidence of a real grappling with transcendence on the part of Hannah in the story. She never seems to ask what comes after death, what the greater meaning of life is, or of any awareness of transcendence at all. She never seems remotely concerned with the question of what lies beyond, or of the greater questions of meaning, truth, or God. There is a brief, tongue-in-cheek reference to religion on her part, but that is it.
Again, as the work is a secular work, I shall resist the rather obvious point that I wish Hannah had given thought to the truthfulness of the gospel itself. Many people live and die with no concern over the gospel. That is tragic but, again, not surprising. But I do find the lack of any interaction on Hannah’s part with questions of transcendence itself to be frankly unbelievable, especially on the part of a character that evidences real thoughtfulness. Yes, I am fully aware of the fact that the particular circumstances that would lead a teenager to contemplate suicide can grow so large that they would eclipse transendent reality, but I find the absence of this element in a character so possessing of introspection and awareness (and the story reveals that Hannah is fully possessing of both) to be a major flaw.
The book is a mixed bag. Regardless, it is a story that is well-known and is about to be even more well-known. It might just provide a wonderful discussion opportunity with your teenage kids.
Dallas Willard’s Paraphrase of The Lord’s Prayer
I suppose Dallas Willard’s book, The Divine Conspiracy, is one of the most significant works I’ve ever read. While I first read it some years back when it first came out, I think of it and refer to it often.
Recently a friend and I have been working through it and recently we came across Willard’s paraphrase of the Lord’s Prayer. Being a paraphrase (not a translation) it necessarily bears the idiosyncracies of the author and the marks of the general discussion and context in which he has couched it. But that’s the beauty and uniqueness of a paraphrase, and I think this one is done well.
Here it is.
Dear Father always near us,
may your name be treasured and loved,
may your rule be completed in us-
may your will be done here on earth in
just the way it is done in heaven.
Give us today the things we need today,
and forgive us our sins and impositions on you
as we are forgiving all who in any way offend us.
Please don’t put us through trials,
but deliver us from everything bad.
Because you are the one is charge,
and you have all the power, and the glory too is all yours-forever-
which is just the way we want it!
Alexander Waugh’s Fathers and Sons
I do not remember when or where I first heard the name Evelyn Waugh. I suspect it was through repeated references to his writings in other books that I came to take up Brideshead Revisited some years back. I have been intrigued ever since. Mrs. Richardson and I have read most of the novels and a good many of the short stories and we seldom fail to dissolve into unrestrained tears of laughter in the process.
I recently stumbled across Evelyn’s grandson Alexander Waugh’s autobiography of his paternal lineage and decided to check it out. What I found in Fathers and Sons was a spell-binding, engrossing, frequently hysterical, oftentimes disturbing and troubling book about four generations of male Waugh life and authorship. Alexander prefers “Wavian” to “Waughvian” to describe in adjectival force the peculiar genius and malady of the family Waugh. Fair enough. All I know is there simply must be some kind of adjective to describe this family.
Alexander’s portrayal of his Great-Great Grandfather (The Brute), his Great Grandfather (the British publisher Arthur Waugh), his Grandfather and Uncle (Evelyn and Alec, respectively), and his father (Auberon) is at one and the same time brutally honest, (sometimes) condemnatory, sympathetic, defensive, and bewildering. The book is an undiluted page-turner that Roni and I had great difficulty putting down, even at those points when we were horrified by what we were reading.
I suppose I would be dishonest if I didn’t say that I frequently thought, while reading the book, of the oft-repeated biblical notion of “the sins of the fathers” being passed down to the generations. Indeed, for all of their genius and strenghts (and, at points, apparently sincere Christian faith), it must be admitted that, in all, Alexander’s depiction of the male Waughs is of a family of men gripped by peculiar genius, staggering humor and wit, astonishing literary gifts, paternal dysfunction, arrogance, snobbery, astonishing sexual deviancy, biting cruelty, family pride, family indifference, family neglect, family obsession, national identity, patriotism, criticism, generosity, greed, and jaw-dropping anecdotal evidence of the depravity of man.
That is a generalization, and should be taken with all the caveats and nuances befitting such. But it is, I believe, an accurate generalization. Nor should that be taken to be read snobbishly in its own right. In fact, in saying all of that, I’m simply saying that the Waugh family is a family of sinners, like all families. It just so happens that the Waugh family is a public family with rather public sinners oftentimes committing rather public sins. Even when sinning in private, there seemed to be an amazing predeliction for recording the details of their sins in diaries and letters that were, at least to some extent, intended for later publication.
A few things I likely will never forget: The Brute’s cruelty to his children (dipping their fingertips ((or at least one of his children’s fingertips)) in sulphuric acid when he saw them biting their nails!), Arthur’s weird and, at times, blasphemous obsession with his son Alec (evoking the language of the divine Father and Son), Alec’s utter, carnal debauchery, Evelyn’s resentment and unmistakable genius, Evelyn’s occasional (and staggering) cruelty towards his children alongside Evelyn’s compassion, concern for, and generosity towards his children, the enigma of Evelyn’s faith, the lingering question of how the Waugh women endured all of this and the question of how all of this affected Alexander’s atheism.
As for the book itself, it is written very well. It is very, very difficult to put down. “Enthralling” is not, in fact, too strong a word. Some parts of the diaries and letters are shocking and grotesque, but one gathers that Alexander simply wanted to give an accurate picture of a family about which opinions all across the spectrum have been offered for years on end.
Again, it is a troubling book, but likely valuable for those of us who often work with families in counseling. I would daresay the book might also be of particular interest to fathers and sons.
Some of the more explicit passages keep me from actually recommending the book. There are aspects of it that are profoundly distasteful. But that is simply because it is a depiction of the very real lives of a very real family.
I think in many ways I feel conflicted after reading this book. Maybe that’s the best way to sum it up.
John 10:22-42
John 10:22-42